← News
Topic · Person

Gillian Anderson

10 articles

See also
📰

Latest Gillian Anderson articles

Gillian Anderson Explains Confrontation With “Distracting” Superfans Who Sat In Front Row Of West End Show: “We Can All See You”

Gillian Anderson Explains Confrontation With “Distracting” Superfans Who Sat In Front Row Of West End Show: “We Can All See You”

Gillian Anderson has explained why she asked a group of superfans not to sit in the front row of her West End stage show, Who’s Afraid of Virginia Woolf?. Anderson is performing at Soho Place Theatre and was filmed confronting audience members following a performance. In the video, posted just after midnight on Sunday morning […]

Oct 5, 2026 · byDeadline
Gillian Anderson responds to backlash after telling ‘distracting’ fans to stop sitting in front row

Gillian Anderson responds to backlash after telling ‘distracting’ fans to stop sitting in front row

The actor, who is performing on the West End, was filmed telling theatre fans ‘you can’t come 20 times and sit in the front row, it’ll drive me mad’ Gillian Anderson has come under fire after the actor was filmed telling a group of fans that they were “distracting” her by repeatedly sitting in the front row while she performs in London’s West End. The Sex Education and X-Files star was filmed outside the Soho Place theatre where she’s performing in Who’s Afraid of Virginia Woolf? , telling a group of fans: “You guys cannot sit in the front row. I do not care; you cannot sit in the front row. It’s so distracting.” Continue reading...

Oct 5, 2026 · byThe Guardian
Who’s Afraid of Virginia Woolf? review – Gillian Anderson fights tooth and nail in marital meltdown

Who’s Afraid of Virginia Woolf? review – Gillian Anderson fights tooth and nail in marital meltdown

@sohoplace, London There is no shortage of sparring between Anderson and Billy Crudup in Edward Albee’s classic, though its comedy has an air of George and Mildred Those who want to moan about the toxic reliance on celebrity casting and screen stars in the West End can stop right there: Billy Crudup and Gillian Anderson both began their careers on stage. Here they are now, glittering up Edward Albee’s conflagration of a play about unhappy marriage and its necessary illusions, immortalised on screen by Richard Burton and Elizabeth Taylor. Anderson and Crudup can hold their own against that landmark adaptation of the play about George, a middle-aged history professor with a sagging academic libido, and Martha, his frustrated, ceaselessly needling wife. They are confident performers and it makes sense that this 1962 American classic about conjugal warfare is taken on by two Americans, albeit under the aegis of British directorial powerhouse Marianne Elliott. If Elliott’s previous production, Les Liasons Dangereuses at the National Theatre, had what some considered an anaemic connection between its leading lovers, there is no shortage of sparks and sparring for the central couple here. They are shouty and jousting, although it does not feel dangerous or emotionally eviscerating enough between them for rather too long. Continue reading...

Oct 1, 2026 · byThe Guardian
The best theatre to stream this month: Jack Lowden locks horns with Martin Freeman in The Fifth Step

The best theatre to stream this month: Jack Lowden locks horns with Martin Freeman in The Fifth Step

An addict meets his sponsor in David Ireland’s two-hander, Gillian Anderson dazzles in A Streetcar Named Desire and Winsome Pinnock’s audio dramas are revelatory For an addict in the Alcoholics Anonymous programme, the fifth of the 12 steps includes confessing your wrongs to another person, such as your sponsor. That act is at the heart of David Ireland’s characteristically turbulent, darkly humorous two-hander in which Jack Lowden and Martin Freeman lock horns. Watch out for a (sort of) cameo from Willem Dafoe as Jesus. On National Theatre at Home from 1 October. Continue reading...

Oct 1, 2026 · byThe Guardian
Stations by Louise Kennedy review – a superb follow-up to Trespasses

Stations by Louise Kennedy review – a superb follow-up to Trespasses

This tale of broken hearts and broken people moves from the Troubles of 70s Northern Ireland to an unforgiving London of squats and payphones Louise Kennedy’s first novel, Trespasses , was one of those rare triumphs, a debut that was not only rapturously received by critics but adored by readers around the world. A story of forbidden love set during the Troubles in 1970s Belfast, it was an international bestseller, translated into more than 20 languages. It was shortlisted for the 2023 Women’s prize and scooped debut fiction of the year at the British Book awards. A four-part television adaptation with Gillian Anderson aired last autumn on Channel 4. Inevitably Kennedy found herself lauded as an overnight success – much was made of her 30-year career as a professional chef – but in fact she had been writing short stories for a decade and to considerable acclaim; her first collection, The End of the World Is a Cul de Sac, was published in 2021. Included in that book was Belladonna, the story of Róisín, a young girl from Belfast who moves south with her mother and, ostracised by her new classmates, becomes friendly with the couple who live across the road. Like Briony Tallis in Ian McEwan’s Atonement, the prickly and precociously bright Róisín misinterprets the dynamic of her neighbours’ marriage to disastrous effect. Continue reading...

Sep 29, 2026 · byThe Guardian
‘We left Ireland because there wasn’t work – and we wanted to get the hell away’: Trespasses author Louise Kennedy

‘We left Ireland because there wasn’t work – and we wanted to get the hell away’: Trespasses author Louise Kennedy

Her Troubles-set debut became a hit TV series starring Gillian Anderson. Now the novelist has returned to her teen years for a follow-up. She talks about her journey from chef to author, and how her cancer diagnosis inspired her to write Louise Kennedy’s life has hardly wanted for dramatic events, but the recent past has been spectacularly busy, even by her standards. You wouldn’t know it to look at her, as we chat in the sitting room of the house in Sligo that she shares with her husband, son and daughter, but this is the home that she once thought would be repossessed. The couple bought it “for stupid money” in 2007, when they also opened a restaurant, initially so successful that the only way seemed to be up. The following year, financial mayhem descended on Ireland, their customers ebbed away, and the Celtic Tiger years morphed into a country racked with job losses, bankruptcies, apparently endless debt. “I didn’t think I’d ever be able to keep the house,” she says, glancing around an elegant room dotted with beautiful objects and plants, but nonetheless relaxed and comfortable. “I’d say we only got out of negative equity about a month ago. There are probably arguments for moving now, but I’m so proud that we managed to hold on to it, I’m not going anywhere. I’m going to be carried out of here in a box.” Kennedy had been a chef for 30 years, working all over the place from Dublin to London and, for two years, Beirut, before ending up in Sligo, on Ireland’s west coast, not far from the border with her native Northern Ireland. Crucially, she had never given a thought to writing, not since a teacher had admired a poem she wrote when she was seven. Now, she is about to publish her second novel, Stations, which follows a collection of short stories, The End of the World Is a Cul-de-Sac, and her debut, Trespasses, which was shortlisted for the 2023 Women’s prize for fiction and won other prizes in Ireland and the UK in 2022 and 2023. Last year, Trespasses gained further acclaim when it was adapted for Channel 4 in a production starring Gillian Anderson as the mother of Cushla, the young Catholic teacher who falls in love with Michael, an older, married Protestant lawyer, in 1970s Belfast. Continue reading...

Sep 26, 2026 · byThe Guardian
Independent Talent Group Buys Into Sports Agency Tongue Tied Management

Independent Talent Group Buys Into Sports Agency Tongue Tied Management

Independent Talent Group (ITG) has bought into UK sport talent agency Tongue Tied Management (TTM). The deal comes as ITG seeks growth following Sienna Private Equity last December buying a major stake in Duncan Heath’s agency, which represents the likes of Daniel Craig and Gillian Anderson. TTM represents athletes, coaches, broadcasters, and creators, including Jill […]

Sep 24, 2026 · byDeadline
Gillian Anderson Comes Out as Pansexual

Gillian Anderson Comes Out as Pansexual

Gillian Anderson is defining her sexuality.  The X Files actress recently confirmed that she labels her sexuality as pansexual, or attracted to all sexes, telling The Australian in an interview...

Sep 14, 2026 · byE! Online